摘要
德勒兹认为,生成弱势是对抗一切既有权力的有效方式,弱势文学就是生成弱势在文学领域的体现,而弱势语言是形成弱势文学的重要途径之一。本文通过德勒兹视域下弱势语言的形成机制,来理解他对文学与政治关系的思考。本文认为,德勒兹主要分别从强势语言的贫乏化和错综使用这两种途径分析弱势语言的形成机制,进而对其引发的文学和政治的关系进行批判性思考。最后,作者认为,德勒兹的弱势文学观为理解中国当代寻根文学和方言小说提供了另一种可能性。
Becoming- minor is regarded by Deleuze as the most efficient way of fighting against all existing forms of power. In Deleuze＇ s sense, minor - literature that was mainly generated by minor - language was the embodiment of becoming - minor in the field of literature. This paperattempts to reframe Deleuze＇ s thinking upon the relation between literature and politics by pro- bing into the mechanism of minor - language forming. It can be argued that Deleuze critically approached this new relation by ex- amining the mechanism of minor - language through the withered major - language and the blending usage of various languages with different functional and grammatical cases. From the minor - language perspective, another possibility can be found in inter- preting, contemporary Chinese ＂xungen＂ （seeking cultural and identity roots） literature and vernacular novels.
出处
《文艺理论研究》
CSSCI
北大核心
2014年第1期81-89,共9页
Theoretical Studies in Literature and Art
基金
教育部人文社科青年基金项目<结构主义视域下的20世纪西方序列音乐比较研究>(项目编号:11YJC760125)
安徽省哲学社会科学规划项目<亳州市精神文明建构研究>(项目编号:AHSKF09-10D68)
亳州师专精品课程<文学综论>项目的阶段性成果
