摘要
作为权威意识形态话语,毛泽东的《在延安文艺座谈会上的讲话》深刻影响着当代文学的构建和发展。但在历史上,《讲话》发表后在延安与国统区的传播与接受并非如很多当事人、研究者所描述的那样广泛、热烈,其真正被文艺界接受和应用还是在1949年以后。茅盾是左翼文学的代表作家,建国后曾出任文化部长、作协主席,以茅盾为中心考察《讲话》的接受史现场,对于理解《讲话》的传播与接受具有重要的文学史和思想史意义。
As the authoritative ideological speech of mainstream circle of literature and art , Talks at the Yenan Forum on Literature and Art has a profound influence on the structure and development of contemporary literature. ＂Talks＂ was accepted and spread after it came to birth, however, it didn＇t exert profound influence as some researchers described. It is after 1949 that ＂Talks＂ was indeed accepted and applied. Mao Dun, the representative of leftist revolutionary literature, is also the the Minister for Culture and chairman of writers＇association. The study on Mao Dun has a great significance both on the history of literature and ideology.
出处
《齐鲁学刊》
CSSCI
北大核心
2014年第1期138-142,共5页
Qilu Journal
基金
国家社科基金青年项目"<讲话>接受史与当代文学机制的构建"(12CZW076)
关键词
《讲话》
接受史
现场
茅盾
Talks at the Yenan Forum on Literature and Art
accepting history
Mao Dun
