摘要
中国少数民族文学在其当代六十年的建构史中,被给予了"社会主义民族文学"、"民族的民族文学"以及"后殖民弱势文学"三种身份定位。它们都是不同语境下话语的主体性生产的结果。通过历史的梳理与西方相关理论(尤其是后殖民身份话语、德勒兹等的"弱势文学"理论)的深入对话,我们既可能有效地破除困扰于中国少数民族文学领域中的简单性、本质化的认识误区,同时也可能从此一特定角度出发,推动中国文艺理论建设与世界对话的水平。
Chinese Minority Literature in its historical construction has been categorized during the past six decades under three different headings,one as 'socialist ethnic literature',one as 'ethnic national literature'and the third as 'post-colonial minority literature'. They all are the result of the production of subjectivity from different contextual discourse. Combing through the history of Western theories( especially post-colonial identity discourse,Deleuze and other'minority literature'theory),we could not only in the field of Chinese minority literature effectively break through the epistemological barrier of simplicity and subjectivity,but also promote a constructive dialogue between Chinese and world literary theories.
出处
《暨南学报（哲学社会科学版）》
CSSCI
北大核心
2014年第2期2-17,162,共16页
Jinan Journal(Philosophy and Social Sciences)
关键词
少数民族文学
身份
主体
话语
生产
Chinese National Minority Literature
identity
subject
discourse
production
