摘要
百咏诗最早出现于唐代,宋代创作兴盛。宋代百咏诗有两个明确的主题,咏梅和咏地方风物。科举中的百篇举一科在宋代的延续为百篇成诗的体制提供了制度上的保证,地理学和梅文化的高涨则决定了百咏诗的主题。百咏诗在艺术上并不突出,利钝杂陈、良莠不齐,其价值更多地体现在宋人所作的注释上。今可考知的五十种宋人百咏(包括百题)诗中,有宋人注释的共计七种。其中,刘克庄《梅百咏》有两个宋人注本,今皆亡佚;其余六种为诗人自注,完整保存下来的有四种。它们扩大了宋诗宋注的名单,是宋诗宋注的重要组成部分;同时,在文献上亦有保存史料之功,于后人之考证颇为有益。
Bai-yong Poetry is a type of Chinese ancient poems, which appeared first in Tang Dynasty and were popularized in Song Dynasty. They had two clear themes： one was plum blossom and the other local customs and natural conditions. Imperial examination system provided the structure for the poems. At the same time, the upsurge of geography and the culture of plum blossom determined their contents. Bai-yong Poetry is not outstanding in art, and its value lies in the notations made in Song Dynasty. We now can find 50 types of Bai-yong Poetry, and 7 of them have notations. 6 types of notations were written by the poets themselves and 4 of them survived completely. They expanded the list of Song Dynasty＇s poetry notations and became an important part of it. In content, some historical materials have been preserved and are helpful to textual analysis.
出处
《西南交通大学学报（社会科学版）》
2014年第1期8-14,共7页
Journal of Southwest Jiaotong University(Social Sciences)
基金
教育部人文社科青年基金资助项目"宋诗宋注考论"(13YJC751024)
关键词
百咏诗
百篇举
地理学
梅文化
宋诗宋注
自注
Bai-yong Poetry
imperial examination system
geography
culture of plum blossom
poetry notations in Song Dynasty
notation by the poets themselves
