摘要
叙事伦理无论作为批评方法还是研究范式,正逐渐受到域内文艺理论界的重视,但在具体使用中却陷入种种误区,原因在于对叙事伦理的概念背景、内涵和批评方法缺少应有的梳理。叙事伦理自古就有,但作为文艺理论研究方法和范式而出现,则是西方结构主义之后伦理转向的结果。现代性的展开是伦理转向以及叙事伦理凸显的基本背景,这也决定了叙事伦理不同于传统伦理道德批评,它可区分为故事伦理和叙述伦理。叙事伦理是一种虚构伦理,遵循虚构世界的逻辑和价值原则,因而,虽受生活理性伦理的启发,但并非其刻板复制或反映,叙事伦理批评是现象学意识批评的本质直观。
Both as a critical approach and a research pattern, narrative ethics has recently gained more attention in literature and art. However, for the lack of necessary introduction to its background, nature and relevant critical approaches, misunderstandings of different kinds have been made in carrying out and adopting it. Though having existed for a long time, narrative ethics did not stand as a research approach in the theory of literature and art, and a paradigm until after structuralism. It is a natural result of ethical turn. Modernity, as the essential background of ethical turn and the prominence of narrative ethics, makes it possible that, different from traditional ethical and moral criticism, narrative ethics can be divided into ethics of story and ethics of narrating. Narrative ethics is a fictional ethics, which follows the logic and viewpoints in the fictional world. Therefore, even inspired by the sensibility ethics in life, narrative ethics is by no means a critical approach which is just a stiff copy or reflection of the former. Instead, it is an essential and direct reflection of criticism of consciousness in phenomenology.
出处
《河南大学学报（社会科学版）》
CSSCI
北大核心
2014年第1期101-107,共7页
Journal of Henan University(Social Sciences）
基金
国家社会科学基金项目"现代性语境中的叙事伦理研究"(08CZW003)后续成果
河南省教育厅基地项目"中国现代小说美学发生学研究"(2011-JD-026)阶段性成果
关键词
伦理转向
叙事伦理
虚构世界
意识批评
the ethical turn
narrative ethics
fictional world
criticism of consciousness
