摘要
随着时代的发展,工笔人物画在当代文化语境下生发状况、生态环境均受到科技和经济的影响。对外文化的交融使艺术观念、审美方式在传统和当代两大阵营中反复抗衡。不少人认为现代工笔人物画技法语言的不断创新本身就是工笔人物画的发展。任何技法表现的艺术创作都是在艺术性的基础上开始的,而技术却并不等同于艺术。在新的历史时空中技术在某种层面上与艺术或许保持一致,单纯的技法语言不能完全诠释工笔人物画的内涵,结合中国文化语境、精神内涵才能曲径通幽。
With the development of fine brushwork figure painting era in the context of contemporary culture germinal condition, ecological environment are affected by the technology and economic. Integration of foreign culture of the artistic conception, aesthetic style in traditional and contemporary two camps repeatedly. Many people think that the innovation of modern figure painting techniques of language itself is the development of the Chinese figure painting. Any technique of expression in the art creation is based on the art of the technology, and it is not the same as art. In the new historical time and space technology may remain the same in some way with art, meaning the pure technique language does not fully explain the meticulous figure painting,and it is possible to achieve a winding path leading to a secluded spot with Chinese cultural context and spiritual connotation.
出处
《铜陵学院学报》
2013年第5期99-101,共3页
Journal of Tongling University
关键词
传统
当代
工笔人物画
技法语言
traditional
contemporary
Meticulous figure painting
language skills
