摘要
电影《危险关系》是一部以男性与女性的关系意象为主要叙事对象的作品,在男权叙事下演绎了两性之间看与被看、控制与反抗、霸权与妥协的复杂关系。它在男性凝视中建构诱惑的女性身体、叙述潜在的女性缺陷,以此对男性性欲与权欲进行二维迎合;它在性别标记下展示女性的逆动与反抗状态,从而表达其企图挣脱男权牢笼的强烈祈愿与女性意识;它最终以三种殊途同归的"寡妇"形象书写了女性败北妥协的悲剧命运。在此动态的逻辑层面上,电影揭示出男权藩篱圈禁下女性无法规避的"被看——反抗——妥协"的现实生存困境。
Dangerous Relationship is a film whose main narrative object is to image the relationship between men and women. The film deducts the complex？relationship of seeing and being seen, control and resistance, hegemony and compromise between men and women under the patriarchal narrative. In order to cater to the men＇s sexual and power desires, the film constructs an attractive body of women and exposes the women＇s potential defects. It shows women＇s reverse motion and resistance under the gender markers so as to express their strong wishes and female consciousness of attempting to escape masculine prison. It writes out the tragic fate of women＇s failure and compromise through three widow images, which represent the same end of the women. In this dynamic logic level, the film reveals the reality survival plight that women can not avoid the captivity of ＂to be seen - resistance - compromise＂ under the male barriers.
出处
《金华职业技术学院学报》
2014年第1期72-76,共5页
Journal of Jinhua Polytechnic
关键词
女性主义
《危险关系》
男性凝视
女性意识
寡妇形象
feminism, Dangerous Relationship, male gaze, female consciousness, widow images
