摘要
乐人是唐乐的创造者、传承者、传播者,其音乐传承方式是唐代音乐文化研究的重要课题,它大致有家传、师承、家传兼师承、以及梦授说四种方式。通过对这四种传承方式的考察,可以了解它们在唐代音乐文化传承中的地位,也可以在一定程度上阐明南北音乐、胡乐与中原音乐、宫廷音乐与地方音乐的交流和融合,还可以更好地认识梦授说这种在漫长历史过程中形成的文化现象。
Minstrels are the creators and transmitters of the music in Tang Dynasty,and their music inheritance ways namely family tradition,inheritance from a master,inheritance from both the family and the teacher,and learning in a dream are the objects of the cultural studies of music in Tang Dynasty. Investigating the four inheritance ways of music,we could understand the minstrels' status in the musical inheritance of Tang Dynasty,and the communication and integration of North Music and South Music,Non-Han Music and Central Plains Music,Court Music and Local Music to some extent could be clarified,and then the theory of learning in a dream can be explored as a cultural phenomenon.
出处
《阴山学刊》
2013年第6期50-54,共5页
Yinshan Academic Journal
关键词
唐代乐人
家传
师承
梦授说
Minstrels in Tang Dynasty
Family tradition
Inheritance from a master
Learning in a dream