摘要
苏轼文艺美学的主体间性虽不充分、不纯粹,还不是有意识地主动追求,但其对审美体验的重视,其在现实空间和审美空间之间自由转换的审美体验,以及打通多种艺术形式的外在限制进入自由超越的审美境界,确实将中华美学向前推了一小步。
Although the intersubjectivity of Su Shi’s literary aesthetics was not complete or pure, or consciously taking the initiative to pursue, he was serious about the aesthetic experience. His aesthetic experience could transform freely between real space and aesthetic space. And his action of getting through the external restriction of various forms of art to enter the aesthetic realm of freedom indeed push the Chinese aesthetics forward.
出处
《唐山师范学院学报》
2013年第6期1-3,共3页
Journal of Tangshan Normal University
关键词
苏轼文艺美学
本体论
主体间性
Su Shi’s literary aesthetics
ontology
intersubjectivity
