摘要
传统的反排木鼓舞曾经是一个地方性的文化叙事。地方民族通过这个文化的自我表述而产生地方性的文化认同以及族群认同。但在现代性语境中的反排木鼓舞却演绎出新的功能和意义。脱离乡土祭祖仪式情景的反排木鼓舞给新一代的反排木鼓舞的舞者们提供了一种新的机遇与挑战。在此机遇中文化认同与身份认同处于悬而未决的状态。
Traditional Fanpai drum dance was only a regional cultural narrative once. Local folks created regional cultural identity and ethnic identity by this cultural self-expression. However, in modern context, Fanpai drum dance has been developed as being with new functions and meanings. Fanpai drum dance without scenes of local ancestor worship rituals provides the new generation of Fanpai drum dancers with new chances and challenges in which cultural identity and identity are in suspense.
出处
《北京舞蹈学院学报》
北大核心
2013年第6期79-82,共4页
Journal of Beijing Dance Academy
基金
贵州大学文科重点学科及特色学科重大科研项目"贵州苗族舞蹈艺术研究"(项目编号GDZT2010013)
关键词
反排木鼓舞
祭祖
身份认同
现代性
Fanpai drum dance
ancestor worship
identity
modernity
