摘要
在全面论述金圣叹戏曲美学的基础上,着重论述其"天人合一"、"无和梦"、"通鬼神"和"文有魂"等观点。这些重要观点是以儒、道、佛三家的哲学结合其心得体会而论述的,故而取得了精深的成就。金批《西厢》的鉴赏论是针对普通读者的,艺术论是兼顾读者和作家的,美学论是针对文化修养高的欣赏者和作家诗人的;以上美学观点的阐发,则更是针对文化修养极高的鉴赏者和诗人作家的,高深而玄妙,需要长期反复学习、体会才能掌握。
Based on the comprehensive discussion on Jin Shengtan＇ s opera aesthetics, the paper focuses on the theory that heaven-man integration, nature and literature creation, nothing and dream, intercommunion with supernatural beings, and the soul in the article. The above views are put forward with combination of Confucianism, Taoism and Buddhism and Jin＇ s own study, and accordingly, Jin made profound achievements. Jin＇ s appreciation theory on The Romance of West Chamber is aimed at the common readers ; his art theory is aimed at both readers and writers ; and his aesthetics is aimed at writers and poets with great accomplishments. The paper holds that the explorations of the above aesthetics are aimed at appreciators, writers and poets with great accomplishments, which needs to be repeatedly and further studied.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2013年第6期118-129,共12页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
