摘要
扎西达娃和托尼·莫里森的魔幻叙事主要体现于其匠心独运的时间叙事和神话叙事之中。扎西达娃融合加西亚.马尔克斯循环时间叙事和藏民族轮回时间观,形成其独特的循环时间叙事,而莫里森则借鉴胡安.鲁尔福非时间的时间叙事和博尔赫斯迷宫式时间叙事,再融合非洲文化之时间观,构建其时间文本结构。他们亦利用本民族神话和传说进行神话叙事,赋予现实以神话般的意义,从而创造出神奇的现实。
Tashi Dawa and Toni Morrison＇s magic narrative mainly lies in their unique time narrative and mythical narrative. Tashi Dawa fuses Garcfa Mtarquez＇s circulating time narrative into Tibetan recycling time concept aiming to form his own unique circulating time narrative while Toni Morrison integrates Juan Rulfo＇s non-time time narrative and Jorge Luis Borges＇s labyrinth-like time narrative into African time notion in order to build her time-text structure. They also use their own ethnic myths and legends to fabricate their magic narratives, providing the reality with mythical meanings to create a mazic reality.
基金
2011年度江苏省社会科学基金项目“美国新现实主义小说研究”(项目号:11WWD016)
2011年度江苏技术师范学院基础及应用基础研究基金项目“美国新现实主义文学研究”(项目号:KYY11059)阶段性成果
