摘要
本文从类型理论的角度分析了青春片作为一种亚类型所具有的元意义,对青春片通常包含的次生主题及表达方式进行了简要的阐述,继而认为当代中国青春类型电影的问题不在于类型形式本身,而在于意识形态的表达层面,而这一层面最终需要精当的叙事修辞技术予以实现,最后文章结合《小时代》等影片批评进行了佐证。
This paper analyzes the meta-significance of youth film as a genre from the genre theory by briefly stating the theme and expression of youth film to conclude that the problem of Chinese youth film does not lie in the genre itself but in the ideological thoughts which ultimately would need narrative rhetoric with Tiny Times as an example.
出处
《贵州大学学报（艺术版）》
2013年第3期65-71,共7页
Journal of Guizhou University Art Edition
