摘要
阐述了佛教世界观以须弥山为中心的基本模型;分析了在佛教文献、绘画、礼仪中对于佛教世界观的符号化表现。在此基础上进一步通过对中国传统建筑、器物造型设计的分析与中西方设计思想比较,解释了佛教世界观对传统设计的影响。对于设计文脉的发展研究有一定的启示意义。
In this article,we illustrate a basic model in which the world view of Buddhism center around Su- meru Mountain. We also analyze the symbolization of this world view in Buddhism literature, painting and ceremonies of the religion. Through comparison between eastern and western concepts on architectural de- sign and further analysis of Chinese traditional architecture and utensil style design, we explain the influ- ence of this world view on transitional design. This work is edifying for the study of culture heritage and continuity of architectural design.
出处
《兰州交通大学学报》
CAS
2013年第5期129-131,共3页
Journal of Lanzhou Jiaotong University
关键词
佛教
须弥山
传统设计
buddhism
sumeru mountaim traditional chinese design
