摘要
"文学"一词是一个由西方引进的概念,用之描述中国古代文学的实际有诸多不适,主要表现为:中国古代诗学的主体精神是"诗言志"而非单纯的文学意义上的以情为胜;中国古代诗学的形式特征是"以体论文"而非"文学"一词的综揽众体;中国传统经、史、子、集四部分类与文学学科的研究对象之间既有交叉又有乖离。改革开放以来,许多学人对此进行了检讨和深刻的反思并积极进行文学史新格局的建构,文学史新格局的建构应首先注重"文学"概念的辨析;其次重视文学文本经学背景的交代以及子、史身份与文本文学性关系的强调;再者适当维护集部作品文学性的独立身份。
The word of ＂Literature＂ is one concept introduced from the Western world. Using it to describe the Chinese ancient literature has much improperness, which mainly embodies in following aspects. The main spirit of Chinese ancient poetics is ＂poetry expressing ideals＂ rather than winning with emotion in purely literary sense. The form characteristic of Chinese ancient poetics is ＂body paper＂ instead of the all-round body of ＂Literature＂. The relationship between Chinese ancient Confucian classics, historical records, philosophical writings, miscellaneous works and research object of literature subject is crossed and deviated. Since the reform and opening up, many scholars have conducted a review and profound reflection and the construction of new pattern of literary history. The construction of the new pattern of literary history should first focus on the discrimination of ＂Literature＂ concept. Second, pay attention to the expression of the background of literary texts and the emphasis of the relationship between the identity of philosophical writings and historical records and the literariness of texts. Finally, properly maintain the separate identity of the literariness of philosophical writings.
出处
《重庆社会科学》
CSSCI
2013年第11期67-74,共8页
Chongqing Social Sciences
关键词
文学
中国文学史
文学建构路径
literature, the history of Chinese literature, establishment route of literature
