摘要
从新卡里斯马的人物范型与宏大化影像场域两方面分析,山东新世纪电视剧呈现出以民族国家叙事为统摄,融合革命叙事、启蒙叙事与市场消费功能的叙事策略。这些电视剧新卡里斯马型人物,是扁平人物和圆形人物的融合,并在民族国家叙事内在规定性下,具有山东地域文化特征、人性深度和消费意识。宏大化影像场域,指其叙事行动元所塑造的独特时空结性时空场域,其行动元存在革命叙事、山东地域文化等发送者,共同服务于"建设现代民族国家"的内在接受者。同时,行动元模式也印证了草莽化时空、伦理化时空、现代化时空及红色革命时空类型。山东新世纪电视剧的新宏大化叙事,将新世纪中国意识形态与电视影像艺术性结合,创造了大众喜闻乐见、雅俗共赏的影视叙事形式。
Through an analysis carried out from the perspective of the new charismatic figure paradigm and the grand movie and video field, New Century teleplay in Shandong demonstrates a narrative strategy that merges together the functions of revolutionary narrative, enlightenment narrative, and market consumption with nation - state narrative as a guide. The charismatic figures are of a fusion of the fiat and the round ones, and are provided with local and cultural characteristics of Shandong, depth of human nature and consumption consciousness within nation - state narrative. Grand images field refers to the unique time - and - space structured time -space field shaped by the narrative actor which exists in the senders as revolutionary narrative, Shandong regional culture, etc. , both serving the recipient for the ＂construction of a modem nation - state ＂. At the same time, the mode of the actor, too, confirms the populist, the ethical, the modem, and the revolutionary time and space and other categories of teleplay. In a word, grand narrative of the New Century teleplay in Shandong combines the new century ideology of China with television and video artistry, creating a form of movie and TV narrative loved by the masses to the taste of both the refined and popular.
出处
《山东师范大学学报（人文社会科学版）》
2013年第5期153-160,共8页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
作者主持研究的山东省社科规划顶目"1990年代以来中国文学宏大叙事研究"(11DWXJ03)的阶段性成果
关键词
山东新世纪影视
卡里斯马
影像化场域
New Century movie and video in Shandong
charisma
movie and video field
