摘要
在生产力发展与民族文化交融的时代背景下,与少数民族男性服饰相比,女性服饰往往更具有服饰文化的典型性与稳定性。基于苗族女性服饰民间艺术个案的村寨田野考察,苗族最具代表性的"盛装"服饰体现着苗族女性服饰的社会性别意识的获得,呈现着社会性别秩序与规范,揭示出外在服饰特征与内在女性文化之间的关系,同时也面临着被推入"他者"的处境。
With the development of productive forces and under the background of ethnic cultural blending, the female costume of minority nationality, compared with the male costume, has its typicality and stability of costume culture. Based on the field work and a case study of Miao＇ s women gor-geous dress in Tupitai village, a study is made to explore the gender consciousness acquisition and reflection and the gender order presentation and specification of Miao women clothing art, thus estab- lishing the relationship between external clothing characteristics and internal female culture and advo-cating the construction of harmonious gender culture.
出处
《云南开放大学学报》
2013年第1期61-66,共6页
Journal of Yunnan Open University
关键词
苗族女性服饰
苗族“盛装”
土皮太村
社会性别意识
社会性别秩序
Miao＇ s female costume, Miao＇ s gorgeous dress, Tupitai village, social gender con-sciousness, social gender order
