摘要
库切2007年出版的小说《凶年纪事》彻底解构了传统小说的线性叙事模式,尝试了在小说上进行艺术创新。他的创作既吸收了现代主义的元素,又借助了后现代主义的表现形式,杂糅了虚构与非虚构,在《凶年纪事》中以其独特叙述方式向我们展示了一个多声部的世界,在消解了深度感、历史感和主体性之后进入了一个文化"杂语"的时代。通过对《凶年纪事》的复调结构的探讨,小说人物间的杂语共鸣的剖析,以及小说内部蕴藏的音乐结构的探索,从多方位来寻找现代文学和后现代文学的烙印。
Diary of a Bad Year, by J. M. Coetzee and published in 2007, completely deconstructs the traditional linear narrative pattern and explores an innovative art form in novel. With the help of elements of modernism and postmodernism, mixing fiction and non-fiction narrative methods together, this novel demonstrates a polyphonic world by using a unique narrative pattern, dispelling the depth perception, historical sense and the subjectivity, then stepping into a polyphonic world. By discussing the polyphonic structure, analyzing the multiple-voices among characters, and the exploring inner musical structure, it aims at discovering the stigmata of modernism and post-modernism.
出处
《昆明冶金高等专科学校学报》
CAS
2013年第4期85-88,共4页
Journal of Kunming Metallurgy College
关键词
《凶年纪事》
现代与后现代
复调结构
杂语
对话性
Diary of a Bad Year
modernism and postmodernism
polyphonic structure
polyphony
dialogism
