摘要
在英语世界,托尼·本尼特被视为是继雷蒙德·威廉斯、斯图亚特·霍尔之后,当代文化研究学界的重要领军人物。托尼·本尼特在1980年代提出"转向葛兰西",与霍尔联袂实现了大众文化研究的疆域开拓和范式转化,开创了区别于法兰克福学派批判模式而是肯定大众文化抵抗功能的"新葛兰西派"。同时,托尼·本尼特是澳大利亚文化研究的支柱力量,澳大利亚文化研究注重文化制度、文化机构、文化代理人等物质性实践力量。独具特色的澳大利亚文化研究与英国文化研究和美国文化研究组成了"3A"轴心文化研究共同体,引起世界文化研究领域的关注。
In the English world, Tony Bennett is regarded as the key character of contemporary literature and art Studies after Raymond Williams and Stuart Hall. In 1980s, Tony Bennett ventured to turn to Gramsci, with Stuart Hall joining in his team. They together succeeded in exploring the Popular Cultural Studies to a more open field and shifting it to a different mode, and thus founded the British Nety---Gramscian, one that is quite different from the Frankfurt Criticism. Meanwhile, Tony Bennett is the backbone in Australian Cultural Studies. Australian Cultural Studies emphasize more on material and practical elements such as cultural system, cultural institutions and cultural agents. The unique Australian Cultural Studies, together with British Cultural Studies and American Cultural Studies, formed the Triple A axis of Cultural Studies and aroused the attention of the whole word.
出处
《南方职业教育学刊》
2013年第5期88-93,109,共7页
Journal of Southern Vocational Education
基金
广东远程开放教育科研基金资助项目"托尼.本尼特的马克思主义美学研究"(KY1003)
