摘要
邓以蛰针对柏拉图所说艺术不能超脱自然(谓自然的摹仿),而造乎理想之境,以为艺术的力量使我们暂时得与自然脱离,它有自身的独特魅力。艺术家的感情、性灵的介入,才可能寻觅到有组织、有形状的东西。强调了在艺术中理想的不可缺失,回答了艺术超越自然的独特之处。他讲的自然比较含混。探讨自然与艺术关系的目的是高扬艺术超越日常世俗的理想一面,要艺术家打破惯性习惯,冲破难关,勇于创造,达到艺术和谐自由的境界。
Plato once stated that art could not transcend nature. However, in Deng Yizhe~ opinion, art, with its pe- culiar charm, could take us away from nature for the moment. Only when emotion and spirit intervenes could artists seek something organized and shaped. This emphasizes the indispensable role of ideal in art and answers the peculiar point that art could transcend nature. The conception of nature he mentioned is relatively ambiguous. To discuss the relation between nature and art aims to uplift art from daily life, and encourage artists to break habitual behavior and to create so as to attain a harmonious and free state of art.
出处
《艺术百家》
CSSCI
北大核心
2013年第5期186-188,200,共4页
Hundred Schools In Arts
