摘要
约翰·罗斯金认为"情感误置"这一手法虽然在艺术作品中有一定的感染力,但最杰出的艺术家在自己的作品中是不会使用"情感误置"的,他们之所以伟大,正在于能够在作品中恰当地控制自己的情感。针对"情感误置"的过度使用,罗斯金指出,伟大的艺术家应该在自己的作品中自我湮灭,他们的伟大与他们不在作品中呈现成正比。罗斯金的"自我湮灭"论对艾略特的"非个性化"诗学思想产生了重要的影响。
John Ruskin was strongly against imitation in artistic creation. He held that a great work is the result of the author＇ s imagination. ＂Pathetic Fallacy＂, widely applied by the Romanticists in their works, is not imagination. Though it brings certain pleasure to the reader, the greatest masters often avoid using it in their works. Ruskin＇ s criticism of ＂Pathetic Fallacy＂ is the reflection of his attitude toward the Victorian Romanticists, especially the romantic poets, who put individuality and passion in the unique position. In Modern Painters, Ruskin declared that ＂the power of the masters is shown by their self- annihilation＂. His views directly influenced T. S. Eliot＇ s theory of ＂Impersonality＂.
出处
《国外文学》
CSSCI
北大核心
2013年第3期33-39,共7页
Foreign Literatures
基金
教育部社科项目"罗斯金与莫里斯艺术理论研究"(11YJA760045)的阶段性成果
