摘要
"书画同源"是中国书画的传统命题,中国现代艺术美学家宗白华和邓以蛰对此有独到的见解。前者从生命本体和艺术意境的角度认为,书者生命之如,画者笔墨之舞;后者从文字发生学和工具创造论层面认为,书(字)生于画,画如笔通心。本文提出"差异中汇通"的"书画同源"观。
＂That calligraphy and painting are from the same origin＂ is a traditional proposition of the history of Chinese painting and calligraphy. The Chinese estheticians of modern art, Zong Baihua and Deng Yizhe had unique insights into it. Zong Baihua considered from the point of view of the ontology of life and artistic concep-tion ： calligraphic works conveyed human life experience and the paintings seemed to be dancing of writing brush and ink. While Deng Yizhe＇s thought was based on the text-occur and tool-creation that calligraphy was origi-nated from the painting and painting seemed to be a pen that could pass to the human heart. Through the com-parison between the two estheticians, the present paper puts forward the concept of ＂calligraphy and painting are from the same origin＂ on the basis of ＂integrating and interworking of differences＂.
出处
《贵州大学学报（社会科学版）》
2013年第4期139-142,共4页
Journal of Guizhou University(Social Sciences)
基金
贵州省教育厅社会科学基地课题:"南宗北邓"--宗白华与邓以蛰美学思想之比较[项目编号:11J32]阶段性成果
关键词
书画同源
生命之如
笔墨之舞
字生于画
笔画通心
差异中汇通
calligraphy and painting are from the same originwriting brush and ink
calligraphy was originated from the painting
to the human heart
integrating and interworking of differences
human life experience conveys
dancing of painting seemed to be a pen that could pass
