摘要
《香妃》是喀什的第一部现代民族音乐剧,该剧的音乐体现了传统与现代、维族与汉族、中国与西方等多元文化于一体的特点,但在多元文化中,西域特色彰显不够,使本应该惊艳的喀什元素并没有从多元文化中突围出来。
＂Fragrant Imperial Concubine＂,first modern national musical born in Kashgar,is characterized with the integration of traditional and modern cultures,Uygur and Han cultures,Chinese and Western cultures in music.However,Uygur traditional culture is insufficient.Thus,the ethnic element which should have been amazing is not prominent over others.
出处
《喀什师范学院学报》
2013年第4期72-75,共4页
Journal of Kashgar Teachers College
关键词
音乐剧
《香妃》
多元合一
传统突围
Musical
Fragrant Imperial Concubine
Multiple unity
Prominence of ethnic element
