摘要
一谈到岩井俊二的电影,更多人想到的是满天飞舞的樱花和缓缓淌来的抒情钢琴,谈论更多的是他纯美惆怅的故事情节和作为观众能体会到的岩井俊二的细腻情感,容易被人忽视的,就是日本的物哀审美意识与岩井俊二电影的关系。在岩井俊二的电影中,我们可以看到物哀这一日本传统审美意识在其电影中的很多体现。
When it comes to Shunji Iwai＇s film, more people are inclined to think of dancing sakura and lyric piano music. People usually talk more about his pure melancholy story plot and re- fined sensibility understood by the audience. But people tend to ignore the relationship between the mono-no-aware and Shunji Iwai＇s film. Through Shunji Iwai＇s film, we can see Japanese tra- ditional aesthetic~ consciousness--mono-no-aware embodied in
出处
《科教文汇》
2013年第14期143-143,146,共2页
Journal of Science and Education
关键词
物哀文化
岩井俊二
视听语言
mono-no-aware culture
Shunji Iwai
audio-visuallanguage
