摘要
在20世纪30年代中国文学的白俄叙事中,白俄乞丐构成了一个常见却又独特的人物谱系。白俄乞丐用他们西洋化的乞讨方式改变了中国作家对乞丐的"刻板印象",而随着乞丐尊严问题浮出历史地表,中国作家也展开了对人的尊严乃至国民性问题的重新思考。而深入考察这一叙事的建构过程,更可以发现中国作家在白俄乞丐的苦难面相上描画了一副"文明"妆容,也正是通过这种"创造性的误读",中国作家表达了自己独特的现代性想象。
In the Belarusian narrative in 1930s＇ Chinese literature, Belarusian beggars formed an at once common and u- nique collection of figures. Their westernized way of begging changed Chinese writers stereotype of beggars. When the problem with the dignity of beggars began to rise, Chinese writers began their reexamination of the dignity of man and the problem of citizenship as well. By studying the process of the construction of this narrative, we can find that Chinese writer have painted a ＂civilized＂ makeup over the miserable face of the Belarusian beggars. What is more, it is through this kind of ＂creative misreading＂ that Chinese writrrs expressed their unique modern imagination.
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2013年第4期119-129,共11页
Nankai Journal:Philosophy,Literature and Social Science Edition
基金
教育部人文社科青年基金项目(12YJC751098)
关键词
白俄乞丐
叙事
苦难“风景”
现代性想象
Belarusian Beggars
Narrative Misery
Scenes of Misery
Modem Imagination
