摘要
民间化是中国现代文艺的一种发展趋向,由于战争引起的城乡文化背景转移,民间化进程分为大众化和民族化两个阶段。文艺大众化不仅是以作家、作品为中心的文学层面的文风变革,从哲学角度则需要考察读者层面的认知本体,重新界定大众文艺的标准。文艺大众化也是知识分子启蒙民众的文化策略,他们在民族化中对民间文化表述的本真遮蔽,使得培养农民阶级知识分子的意义在于以读者为中心,发挥草根"先行结构"的书写优势,建立历史维度的民间解释学。
Folk is a kind of developing trend of modern Chinese literature and art, because of transfer of urban and rural cultural background that the war cause, folk process is divided into two stages： popularization and nationalization. Popularization of literary is not only literary style change as the center of writer and works, You need review the cognitive subject of readers level, redefine stand- ard of mass culture from a philosophical point of view. Popularization of literature and art is culture strategy that the intellectual en- lighten the public, they cover the authenticity of the folk cuhural expression in the nationalization , the significance o~ training intel- ｜ectual of farmers class lies in making the reader as the center, giving full play to the advantages of ＂first structure＂ of grassroots writ- ing, establishing folk interpretation on historical dimension .
出处
《北方论丛》
CSSCI
北大核心
2013年第4期50-53,共4页
The Northern Forum
基金
2012年辽宁省社科规划项目"鲁艺精神与马克思主义美学中国化研究"(编号:L12BZX005)
关键词
草根书写
文艺民间化
文艺大众化
文艺民族化
Writing of Grass-roots
Folklore of Literary and Artistic
Popularization of Literature and Art
Nationalization of Literary and Art
