摘要
今人多批评谢灵运诗歌用典繁密,但梳理南朝直至唐代的许多关涉前代诗文用典的文论,对于谢诗用典特色非但未见非议之评,甚至多所称赞。明清论者在涉及谢诗用典问题时,也还是褒多于贬,极少诟病的。这种分歧的产生当主要源于诗歌用典判断标准的时代差异。客观地历史地来考察,谢灵运与同时代其他诗人相比,不仅在用典的数量上远远少于颜延之等人,其"用人若己"的特色使得他作品中的许多典故常常不易被察觉,更遑论"繁密"了。
Nowadays many scholars think the allusions in Xie Lingyun＇s poetry are too dense and they are definitely shortcomings. But in investigating criticism about Xie＇s allusion from Southern dynasties until Tang, only positive commentaries exist. There are still more praise than dispraise as with allusion in Xie Lingyun＇s poetry until Ming and Oing Dynasties. The divergences in dealing with allusion among ancient and modern criticism may due to the different criteria of poetry allusion at different times. Objectively observe and study, we will find out that there are not only far more less quantity of allusions in Xie＇s works, furthermore, the characteristic of Xie＇s flexible uses of allusions make them difficult to be recognized.
出处
《武汉大学学报（人文科学版）》
CSSCI
北大核心
2013年第4期91-96,共6页
Wuhan University Journal (Humanity Sciences)
关键词
谢灵运
南朝
用典
颜延之
Xie Lingyum Southern dynasties
allusiom Yan Yanzhi
