摘要
松本清张的《点与线》被认为是日本社会派推理小说的开山之作。评论界高度评价该小说批判现实的意义。这种评价无疑提高了推理小说在日本文学史上的地位,但却忽略了其作为推理小说的独特性。其结果,不仅看不到松本清张对推理小说发展的独特贡献,也没有从根本上改变学界对推理小说的歧视性评价结构。本文创作方法的角度探讨了松本清张在推理小说上所作的积极探索。松本清张受倒叙侦探小说的启发,进行了两方面的创新:一、在圈套设计上引入社会因素;二、以双重故事结构解决了推理小说的封闭结尾的难题,既保持了推理小说的趣味性,又提高了推理小说的文学性。
Matsumoto Kiyoharu’s Point and Line is considered to be the first Japanese social reasoning novel. Critics spoke highly of the novel regarding its critical realistic significance. The comment undoubtedly upgrades the status of reasoning novels in the history of Japanese literature, but it ignores the uniqueness of reasoning novels. As a result, the important and special contributions of Matsumoto Kiyoharu to the development of reasoning novels remain unnoticed and the discriminatory judgments by the academic circle on reasoning novels are not changed. This paper will discuss the active exploration of Matsumoto Kiyoharu in the writing techniques of reasoning novels.
出处
《东北亚外语研究》
2013年第1期52-58,共7页
Foreign Language Research in Northeast Asia
基金
国家社会科学基金项目"日本战后雅俗文学流变研究"(07BWW007)的阶段性成果
关键词
松本清张
推理小说
倒叙
社会派
Matsumoto Kiyoharu
Reasoning novel
Flash back
Social school
