摘要
20世纪70年代以来,由于史学观念的演变,美国的西方音乐研究产生了诸多变化,其中最为突出的现象便是女性音乐史的产生。在完全由男性主宰的音乐史之外,女性主义创造了新的历史——女性音乐史。女性音乐史的出现使传统西方音乐研究首次关注女性"他者"的音乐文化,并扩大了史料研究的范围,打开了研究思路,拓宽了研究视野,为西方音乐研究增添了新的血液。
Since the 1970s, Western music studies have changed considerably due to the evolution of ideas on science history. One of the most prominent changes to emerge is the birth of women＇s music history. Beyond the male-dominated music history, feminism has created a new history-- women＇s music history. The appearance of women＇ s music history, for which the study of traditional Western music history focuses on the female ＇ other＇ music culture for the first time, has extended the range of research material and lightened the thinking strategy, as well as broadened the study range, thus re-energizing Western music studies.
出处
《中华女子学院学报》
2013年第3期61-66,共6页
Journal of China Women＇s University
