摘要
杜丽娘是明代剧作家汤显祖在《牡丹亭》中成功塑造的女性形象,在她身上寄托了作者的至情理想。强烈的自我意识的觉醒,使深居闺阁中的她冲破了封建伦理的束缚,大胆的去追寻爱和幸福,她成为了中国古代女子与"命运"抗争的先驱和代表。同时,她又是一个矛盾的结合体,人性的舒展和理学的禁锢在她身上交织着。情与理的矛盾冲突,直指封建社会下程朱理学对人性的压抑和摧残。从其人物形象中透露出的对人性和生命的独立的思考,具有普遍的社会意义,立足于当下也有颇多借鉴之处。
Du is a successfully created woman image, on whom the playwright Tang embodies his emotional ideal, in Peony Pavilion in the Ming Dynasty. The strong self - consciousness makes the secluded boudoir Du break the bond of feudal ethics to pursue love and happiness, which makes her the fighting pioneer and representative of China~ ancient women. At the same time, she is also a combination of contradictions, with the strech of humanity and the bond of rationalism intertwined with each other. The conflict be- tween reason and emotion points direcdy to the oppression and devastation of Neo - Confucianism on human beings in the feudal socie- ty. The independent thinking of humanity and life revealed in the characters has the wide social significance and the enlightenment for the current society.
出处
《阜阳师范学院学报（社会科学版）》
2013年第4期58-61,共4页
Journal of Fuyang Normal University：Social Science Edition
关键词
《牡丹亭》
杜丽娘
自我意识
情
理
社会性
Peony Pavilion
Du
Self - awareness
emotion
reason
social acceptance
