摘要
莫言的《生死疲劳》绝不是一部中国农村的田园颂歌,通过借自佛典的名字和轮回,呈现出强烈的魔幻现实主义意味,暗示了这片土地深沉的苦难和深刻的自赎——动物的出场和言述,人转生后的前世记忆和当下体验,"莫言"在文本中的在场和角色扮演,展示了视野变换下历史的种种面相和生命的层层体验。
Mo Yan＇s Fatigue of Life and Death is not a Chinese rural pastoral ode by name borrowed from the Buddhist scriptures and reincarnation. It shows a strong magic realism sense, suggesting that this piece of land deep suffering and profound self-redemption the animal＇s appearance and inarticulate human reincarnation past life memories and present experience. ＂Mo Yan＇s＂ presence and role play in the text shows various historical faces and life experience amidst the vision transform.
出处
《中南林业科技大学学报（社会科学版）》
2013年第3期152-154,共3页
Journal of Central South University of Forestry & Technology（Social Sciences）
关键词
生死疲劳
欲望
莫言
生命
Fatigue of Life and Death
desire
Mo Yan
life
