摘要
莎士比亚作为欧洲文艺复兴时期最璀璨的明星之一,其人文主义作品在世界文学史上占有着重要的地位。他的创作鲜明地体现了人文主义文学的特征,把欧洲人文主义文学推向了时代的前沿。歌颂爱情是莎士比亚戏剧的几大创作主题之一。他主张"一见钟情"式的、纯洁的爱情,反对具有功利性的、"不纯粹"的爱情;同时也主张在爱情生活中要宽容,因为嫉妒往往会招致灾祸,认为人们应当遵守"爱情秩序",反对人们越轨。作为文艺复兴时期人文主义的倡导者与引领者,他的人文主义爱情观成为了时代的最强音,在一定程度上具有时代的进步成分,但是终究没有摆脱封建主义时代牢笼的束缚与枷锁。
Shakespeare is known as the most resplendent star during the Renaissance Period. His humanistic plays have been pla- ying an important role in the history of the world literature. His works vividly reflect the characteristics of the humanistic literature and push the whole European humanistic literature to the leading edge. Eulogizing great love is one of the biggest themes of the Shakespear- ian plays. He proposes the pure love at the first sight and opposes the impure utilitarian love. Meanwhile, he also proposes people should be tolerant in love life because jealousy always results in disasters and people should obey the love order and objects the action of transgression. As the leader and promoter of humanism in that period, his humanistic vision of love becomes the strongest note in that age. To some extent, it is advanced, though it can not get rid of the constraint and chains of the feudalistic age.
出处
《黑龙江教育学院学报》
2013年第5期120-121,共2页
Journal of Heilongjiang College of Education
关键词
莎士比亚
人文主义
爱情观
束缚
Shakespeare
humanism
vision of love
constraint
