摘要
崔白既长于花鸟画,又能作山水画、人物画。他在继承徐熙的基础上,吸收了宫廷黄氏画风的精妙之处与院外画家赵昌、易元吉等人的优点,受到了文人画艺术观的影响,最终形成了萧条、荒寒的艺术风格。这一风格与北宋宫廷流行的极度写实、富贵艳丽的黄氏画风相去甚远,为花鸟画从宋初色彩斑斓的工笔形态到明清时期水墨淋漓的大写意形态作好了前期铺垫。
Cui Bai was not only good at bird-and-flower painting,but also good at landscape and portrait paintings.He had inherited Xu Xi's painting,and further absorbed the virtue of the 'Huang Quan style' of royal court,and the scholars Zhao Chang and Yi YuanJi's paintings outside imperial art school.He got literati painting thought,and eventually formed frigid,desolate and cold style.This style was different with the realistic and gorgeous of 'Huang Quan style' in Northern song dynasty palace,and it could be the foundation that led the change from colorful painting style in early Song dynasty to vivid ink and wash painting in the dynasties of Ming and Qing.
出处
《艺术探索》
2013年第2期13-16,4,共4页
Arts Exploration
关键词
崔白
绘画
荒寒
写意
Cui Bai
painting
desolate
enjoyment
