摘要
博山炉是汉代考古中比较常见的器物,汉代以来也有不少歌咏博山炉的文学作品,将这两者互相印证进行研究可以增进对各自的进一步认识。一方面,用"博山"称以山峦形制为特征的熏炉至迟从晋人开始,晚于实物的出现。并且当时还有不少器物也具备这种山峦形制,也可以称为"博山"。在当时的社会生活中,博山炉只是一种精美的实用器物,并非模拟"海上神山"而作。即使放置在陵墓中,也是视死如生的需要,并不出于祈求升仙的目的。另一方面,出土的博山炉实物为准确理解文学作品提供了现实的依据。南朝咏物诗人在歌咏博山炉的时候,高度融入了自己的审美体验,这种以表现物象美为最终目的的主体创造性,需要文学研究者重新估量。
Boshanlu is a common implement in Chinese archeology of the Han dynasty, and there is a great number of literatures in describing Boshanlu during the Han dynasty. As a result,the research of Boshanlu and the literature in describing Boshanlu should have cross reference for each other. The convention that uses Boshan to describe censers of mountain shapes began latest in Jin Dynasty, which later than the real objects were unearthed. There were many things like the mountain shape and could be called Boshan. First,this research shows that the name ＂Boshan ＂, which not only refers specifically to the implement,appears later than the implement of Boshanlu. It also demonstrates that Boshanlu is only an exquisite and practical implement in that society,but was not made for the immortalizing pursuit. Secondly,it believes that Boshanlu provides estimates about understanding the poetry exactly. This reference corrects the errors in the present’s general edition and confirms the subject’ s creation of object-chanting poets in expressing images’ beauty.
出处
《辽宁师范大学学报（社会科学版）》
2013年第3期395-401,共7页
Journal of Liaoning Normal University(Social Science Edition)
关键词
二重证据法
博山炉
咏物诗
海上神山
物象美
dual-evidence methodology
Boshanlu （Mountain Censers）
object-chanting poetry
fairy mountain in the oceans
beauty of images
