摘要
中国古代宫廷雅乐的复古风气,在宋代发展到一个高峰。宋朝君臣对雅乐制作甚为重视,前后凡六次改制,均以"复古"、"正雅"为出发点,忽略了真正的音乐艺术性。本文梳理了有宋一代雅乐制作的过程以及其他倡兴雅乐的措施,将君臣的制乐行为、制乐思想作为考察重点,期望能对宋朝宫廷雅乐的复古思潮作一个客观的评述。
The trend of classicism in Chinese imperial music for sacrificial ceremony and religious rites didn’t come to a peak until the Song dynasty when both the emperors and the officials attached so much importance to music composition that they reformed the tone-system six times altogether primarily seeking to ‘ancient style’ and ‘orthodoxy’ far more than the artistry itself. This thesis focuses upon what the emperors and the officials of the Song court did and thought in regard to music production and the strategies for advocating the idea of 'back to the ancients' as well, trying to come up with an objective commentary on the event.
出处
《故宫博物院院刊》
CSSCI
北大核心
2013年第3期93-107,160,共15页
Palace Museum Journal
关键词
宋代
宫廷
雅乐
复古
the Song Dynasty
imperial court
imperial court music
follow ancient style of music
