摘要
类型作为一种"叙事经济学",在激发观众对类型元素期待的同时,也潜在地呼唤着创作者对类型惯例的超越。从这一视角来看,《边境风云》在类型的程式和革新之间构建出良好的平衡关系。本文尝试从该片的时间构成和空间体系两个方面揭示出这种平衡的存在,并试图指出对技法的过度依赖导致的对既定目标的削减和偏离。
As a type of ＂narrative economics＂,genre films not only spark off the audience＇s expectations of genre elements but also call for underlying transcendence of genre prototypes.From this perspective,the film Lethal Hostage has created a fine balance between genre conventions and creations.This paper intends to uncover the existence of this balance in terms of time and space,and tries to pinpoint the undermining of and deviations from goals as a result of over-dependence on techniques.
出处
《文化艺术研究》
2013年第1期148-153,共6页
Studies in Culture and Art
关键词
时间轴
空间体系
类型变奏
timeline
space system
variation of genre films
