摘要
高行健和奈保尔都是诺贝尔文学奖获得者,在他们身上具有一些相似点。他们的身份尴尬模糊,是人们眼中的"流亡"作家,且始终充当一种边缘化的角色。这种经历也深深地影响了他们的创作和作品中的人物形象,于是他们自己或通过作品人物去"寻根",这是"流亡"后的回归,是对边缘角色的否认,同时还充盈着浓厚的宗教情结。
Both Gao Xingjian and Naipaul are the winner of the Nobel Prize for Literature, and they share some similarities. Their identities are awkward and vague, and regarded as ＂exile＂ writer, and always acted as a marginalized role. This experience deeply influenced their creation and the characters in their works, so they, or through the figures in their works, went to ＂search roots＂. This is the reunification after ＂exile＂ and is the denial of the marginal role, but also filled with strong religious complex.
出处
《衡阳师范学院学报》
2013年第2期105-107,共3页
Journal of Hengyang Normal University
基金
湖南第一师范学院课题:"诺贝尔文学奖获得者奈保尔及其作品的文化交织性研究"(XYSIOS10)
关键词
高行健
奈保尔
流亡
边缘
宗教情结
Gao Xingjian
Naipaul
exile
edge
religious complex
