摘要
恩施土家族女作家叶梅，自1992年在《中国作家》发表中篇小说《撒忧的龙船河》以来，其创作出现了一个高潮，接连推出了十多个中篇，且都质量上乘。细读这些作品，不难发现作者的创作有一个统一的倾向：即都反映了几种文化的碰撞，以此来显示几种文化碰撞与融合的价值与意义，从而启迪人们的文化价值观。这也正是叶梅创作走向成熟的标志及价值。
Ye Mei, a woman writer from Tujia national minority, Enshi, Hubei Province, has reached the climax of literary creation since her novella Casting Sadness-net on Dragon-boat River published in the Journal of Chinese Writers in 1992. She has published a dozen of quality novellas. After scrutinizing these works, we can perceive a unified tendency in her writing-- the clash of various cultures. Reading her works can disclose the value and significance of cultural clash and integration and enlighten about their culture values, which marks the maturity ofYe Mei＇s works and highlights the value of their existence.
出处
《广东培正学院学报》
2012年第1期52-57,共6页
Journal of Guangdong Peizheng College
关键词
叶梅
撒忧的龙船河
最后的土司
五月飞蛾
文化碰撞
Ye Mei
Casting Sadness-net on Dragon-boat River
the Last Headman
May Moth
Cultural Clash
