摘要
从创作主体对外在话语规范的防御与超越的角度来看,置身于延安红色文学话语秩序中的丁玲主要运用了自我投射、体验"他者"和忏悔仪式这三种话语防御方式或心理防御策略,来应对当时主流文学话语规范的制约和压抑。丁玲在延安解放区的复杂话语姿态在一定程度上突破了当时日趋完形的红色文艺生产范型的藩篱,同时也必然烙上了红色话语权力运作的深刻印痕,从而导致作者在延安解放区时期的小说话语实践中既洋溢着红色的革命激情,又涌动着"五四"知识分子"灰色"的启蒙情绪。这一切使得丁玲当时的小说创作成了延安革命文学话语改造或重塑"五四"启蒙文学话语的典型历史见证。
On the perspective of creation subjects'defense and surpass over outer discourse normalization,Ding Ling,in the discourse order of Yan'an Red Literature,mainly applied three strategies of discourse and psychological defense to deal with the restraint and depression of the mainstream literature discourse normalization:self-focusing,experience of otherness and confession.Ding Ling's discourse manner in Yan'an Liberation Zone has made a breakthrough in the increasingly matured model of Red Literature production.In the meanwhile,it has been marked with the deep impression of red discourse authorization.So the discourse practice in her novels in the period of Yan'an Liberation Zone are full of red revolution enthusiasm as well as swarmed with 'grey' mood of 'Wu Si' intellectuals.It made Ding Ling's novel creation a typically historical witness to the innovation of Yan'an revolution literature discourse and the reconstruction of 'Wu Si' enlightenment literature discourse.
出处
《中国政法大学学报》
2013年第2期107-117,159,共11页
Journal Of CUPL
基金
教育部新世纪优秀人才支持计划(NCET-10-0407)"中国现当代文学中新旧关系研究"的阶段性成果
