摘要
冯梦龙在《挂枝儿》、《山歌》评注中体现了他进步的文学主张和科学的工作方法,深刻地揭示了明代民歌的思想内涵,标举了民歌的"情真"这个核心的审美价值,用评注的方式总结出了民歌创作风格特色和技巧方法,总结出民歌俚俗、尚奇、谐趣等审美价值取向,揭示了民歌在艺术方面的魅力。冯梦龙对民歌美学理论的探讨是开创性的,对我们也有着一定的借鉴作用。
Feng Menglong＇ s comments on the ＂Gua zhi-er＂ and ＂Mountain folk songs＂ show his progressive literary ideas and scientific working methods, revealing the deep meaning of the folk songs of the Ming Dynasty and the core aes-thetic value of the folk song—— ＂true feelings＂. Feng Menglong sums up in a commentary way the style and writing skills of folk songs, folk slang, odd and humorous aesthetic value, which are of reference to later studies.
出处
《沧州师范学院学报》
2013年第1期37-40,共4页
Journal of Cangzhou Normal University
关键词
明代民歌
情真
民主意识
审美价值
folk songs in the Mong Dynasty
true feelings
democratic awareness
aesthetic value
