摘要
对于陶渊明《闲情赋》"曲终奏雅"给其行文带来的矛盾,前人给出了多种解释。在这众多解释中,由于没有能将重点放在联系包括汉大赋在内的辞赋文本所共有的特征来考察,因而对于《闲情赋》以"曲终奏雅"为掩护,以行其宣情、骋辞之实的审美趣尚,探析仍然不够深入。
For the contradiction in TAO Yuan-ming’s Xianqing Fu（Leisure Ode）,＂particularly brilliant in the ending＂ brings to the former,which has been given a variety of interpretation.However,most of these explanations can not make deep analysis on the aesthetic appreciation because they do not focus on the common features of FU（ode） and other essays in including Han Fu（Odes and other essays in Han Dynasty）.
出处
《天中学刊》
2013年第2期56-60,共5页
Journal of Tianzhong
基金
河南省社科规划课题(2011GWX034)
关键词
陶渊明
《闲情赋》
曲终奏雅
审美趣尚
TAO Yuan-ming
Xianqing Fu
brilliant ending
aesthetic appreciation
