摘要
审美是一种情感和意志的直觉活动,这一活动既有感性的参与,也有理性的加入。当然,审美的前提是先有一个直接的对象(美的形象)存在。对于该形象的直觉感受就是审美直觉,审美的一切情感体验都来自于这种审美直觉。康德激发了直觉的效力,也引发了后人对直觉的迷恋和想象。他将直觉看作是感性的,不过却又将其囿于理性范畴。克罗齐和柏格森承续了康德,也进一步发展了康德的观点。概言之,克罗齐和柏格森则直接将直觉看作为沉淀着理性色彩的感性能力,而这一所谓"直觉"是诸多能力的综合,也是感性与理性的综合。关键是二人对"直觉"的解释引发了直觉主义,在此基础上"审美直觉主义"则更是流布广远。
Aesthetics is an emotional and volitional intuition activity, involving both emotions and reason. Certainly, it is aesthetic premise that existing a direct object （ beautiful images）. Intuitive feeling of the image is aesthetic intuition, and all of the emotional experience of the aesthetic is form this aesthetic intu- ition. Kant inspired effectiveness of intuition, and led to the descendant＇ s faseination to intuition and i- magination. For Kant, intuition was sentimental, but was confined to rational area. Croce and Bergson inherited Kant, also further developed Kant＇ s view. In summary, they took intuition as perceptual ability contained rationality, and this ＂intuition＂ was integrating many abilities, and combining emotion and ra- tion. The point is that their interpretation of intuition raised intuitionism; ＂aesthetic intuitionism＂ based on the interpretation had a significant impact.
出处
《唐都学刊》
2013年第2期63-68,共6页
Tangdu Journal
关键词
审美
直觉
直觉综合
审美判断
审美直觉主义
aesthetics
intuition
comprehensive intuition
Aesthetic judgment
aesthetic intuitionism
