摘要
中西音乐观的演变分别经历了原始的"天人合一""主客二分"与超越"主客"关系的"天人合一"三个阶段。经过风霜洗礼后的新的"天人合一"的音乐观逐渐完成了自身的蜕变,摆脱了"二元对立"意识的束缚,从全新的、审美的角度,将音乐与世界融合,使其进入一个崭新、和谐、自然的审美境界。
The evolution of the music philosophy between China and the western countries underwent three phases, namely, the initial integration of nature and man, the dichotomy of subject and object, and the integration of nature and man, on the basis of which, the time - honored music philosophy has accomplished its transformations and extracted itself from the fetters of mentality of the dichotomy. The music philosophy is moving to a new stage, in which music is harmoniously integrated into the nature from a new esthetic perspective.
出处
《河南教育学院学报（哲学社会科学版）》
2013年第2期121-123,共3页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基金
河南省哲学社会科学规划项目"世界观与音乐观:中西音乐哲学的历史争鸣与现实对话"(2012BY004)
关键词
音乐观
世界观
历史轨迹
the view of music
world outlook
historic evolution
