摘要
明清两代徽州刊刻的版画中,山川版画是一个不容忽视的门类。这些山川版画大都是地方志的插图,其中有关黄山的版画最多,刊刻年代主要集中在清康乾两朝,且绘刻水平不低。对其研究不仅可以梳理黄山图的流变过程,也可以从一个新的角度认识黄山图乃至整个清代山川版画的风格特征,进而确立黄山图在山川版画中的地位和价值。
In Ming and Qing dynasties,painting of landscape inscribed in print and carving in Huizhou was a category that can not be ignored.Most of them are the illustrations of the chorographies,among which,the number of the woodcut about the Huangshan Mountain was always the largest.The majority of them were inscribed in Kangxi and Qianlong periods in Qing dynasty with sophisticated of painting and engraved skill.To research it can not only to comb the process of the changes of the paintings about the Huangshan Mountain,but also to recognize the style and the characteristic of these pictures and even the woodcut of landscape of the whole Qing dynasty from a new perspective,whatsmore,to establish the status and the value of the pictures about the Huangshan Mountain in the woodcut of landscape.
出处
《艺术探索》
2013年第1期16-19,4,共4页
Arts Exploration
基金
2011年度教育部人文社会科学研究一般项目"徽派版画研究"(11YJ760095)
关键词
康乾
黄山图
方志
版本
风格
Periods of the emperors of Kangxi and Qianlong
pictures about the Huangshan Mountain
chorography
version
style
