摘要
山水画的主要艺术特点是讲究意境,而意境的创造是客观景物与画家主观精神的妙合无间。由于画家所处的时代背景、艺术修养、人生体验不同,所以体现在作品里的意境也不尽相同。倪瓒作为元代山水画的扛鼎者,他运用个性化的绘画语言,创造出一种萧条淡泊、荒寒简远的艺术意境。这种意境,既是当时汉族知识分子闲适无奈、哀愁冷淡心境的反映,具有一定的时代性;又是他个人孤傲与超脱情感的抒发,对明清两代山水画影响极大。
The artistic features of landscape painting is exquisite artistic conception, the creation of artistic conception is a perfeet combination of objective scenery and the painter＇s subjective spirit. Due to painters＂ different baekgrounds, artistic accomplishments and life experiences, the artistic conceptions embodied in works are not the same. Ni Zan was the master of landscape painting in Yuan Dynasty. Using personalized painting language, he created a desolate and isolated artistie conception, which was not only a reflection of the sorrowful and indifferent mood of Han＇s intellectuals, but also an expression of his pride and aloofness. His artistic conception had greatly influenced on the landscape painting in Ming and Qing Dynasties.
出处
《山西大同大学学报（社会科学版）》
2013年第1期103-105,共3页
Journal of Shanxi Datong University(Social Science Edition)
关键词
意境
倪瓒
简疏
冷逸
artistic conception
Ni Zan
sparse
desolate
