摘要
20世纪20年代,在五四新文化运动的影响下,西方各种戏剧流派传入中国,其中现实主义戏剧思潮蓬勃兴起,在这种背景之下,易卜生的"社会问题剧"迅速传播开来,掀起了一场"易卜生热",使易卜生这位"现代戏剧之父"被中国人熟知,而其中《玩偶之家》的影响尤其之大,鲁迅、胡适、郭沫若等文学大家都对娜拉这一形象进行了中国式的解读,进而又对易卜生思想进行了解构与重塑。
The 1920s, in the May 4th movement of new culture, the western drama schools spreaded into China, the realistic drama thought flourished, in this context, Ibsen＇ s ＂social problem drama＂ spreaded quick- ly, launched a ＂Ibsen Upsurge＂, Ibsen, ＂the father of modem drama＂ known by the Chinese, of which A Doll＇ s House influenced especially graet, Lu Xun, Hu Shi, Guo Moruo and other literary, everyone of them interpreted Nora, this image with Chinese style, and then made the deconstruction and reconstruction to Ibsen＇ s thought.
出处
《菏泽学院学报》
2013年第1期66-69,共4页
Journal of Heze University
