摘要
本文从建筑的时间性来探讨王澍的建筑作品及思想,试图通过他的作品来阐明并称颂建筑在时间和历史中的多种存在方式,以及当我们穿行其间,或是思考、设计、建造它的时候,建筑如何呈现出不同的面貌。具体而言,通过这些作品以及他的写作,来表明空间上的秩序是如何组织以达成那些或缓或急的时间序列,设计创作如何在反复深化中逐渐推进,还有,建成作品如何因变化而持久并且表现各异。本文意欲阐明,建筑的创造性有赖于运动,也正是经由运动,人们才能体验到建筑的秩序与美好。
This text examines the architecture and ideas of Wang Shu through the lens of architectural temporality. His work is shown to clarify and celebrate the ways that architecture exists in time and history, the ways it changes as we move through it, as we think about it, build, and design it. More specifically, his projects and writings are used to show how spatial order is structured in sequences, accelerations, and delays; also how design invention unfolds through multiple iterations, and the ways that built works endure by means of change. This paper explains that creativity in architecture depends on movement, which is also the way its order and beauty are experienced.
出处
《建筑师》
2013年第1期15-19,共5页
The Architect
基金
国家自然科学基金资助
项目批准号:51278109
关键词
时间
历史
变化
现代性与传统
类型
持久性
空间运动
保存
中国山水画
建筑材料
time, history, change, modernity and tradition, type, durability, spatial movement, preservation, Chinese landscape painting, architectural materials
