摘要
文人画以写意抒情性并以色彩之淡、水墨黑白之逸格虚灵性区别于青绿山水、重彩人物花鸟画的色彩样式而独具特色,并取代了青绿画在唐宋时期的重心地位成为中国封建后期绘画的主流。在中国哲学思想的影响下同样遵循"谢赫六法"的基本绘画理论体系,但同时积极地的充实、拓展"六法"内涵,使中国画成为东方绘画中最炫耀的亮点。
The paper analyzes systematically the art traits of Literators＇ painting from the perspective of Six Rule Theory. Literators＇ painting enjoys great reputation for the combinations of aesthetic thought of expressing emotion and writing mood and of ethereal style of black strokes and white space in pale and delicate shades, as contrasted with those of portraiture and paintings of mountains, rivers, flowers and birds. It therefore, since the Song dynasty, has constituted the mainstream of Chinese painting and replaced green-color landscape paintings, which had long been prominence in Tang and Song dynasties. Affected by the philosophy idea of China, Literators＇ painting accepts and follows fundamental concept of Six Rule Theory （put forward by Xie He）, meanwhile, it is intended to deepen and develop the experience of ideas and the intension of the Theory, which renders Chinese paintings to be indispensable shine in Oriental Art.
出处
《甘肃高师学报》
2012年第6期40-42,共3页
Journal of Gansu Normal Colleges
关键词
六法论
文人画
书画同源
墨分五色
six rule theory
literators＇ painting
same origin of calligraphy and painting
five shades of ink color
