摘要
电影本体论讨论一方面从本质论视角提出电影的审美意识形态论观点;另一方面从形式主义视角提出电影性的艺术形式本体论观点,分别从两个端点阐发电影性质或本质的本体论意义,但各执一端,众说纷纭。因此,需要清理和辨析各自存在问题与不足,应该在属性论和构成论视角中,在电影内容与形式统一、审美意识形态性与艺术形式性统一的基础上,把握电影本体论及其电影性本质所在。
The discussion of movie nature and movie ontology, on one hand, puts forward ideological viewpoint from the perspective of essentialism; On the other hand, presents artistic form and its language symbolism view from the perspective of formalism. They respectively elucidated movie nature and its ontological significance from two extremes; each grabs one direction and varies on opinions. Therefore, we should seize the essential feature of movie nature and its ontology on the base of the unity of movie content and form, as well as the unity of aesthetic ideology and artistic form
出处
《玉林师范学院学报》
2013年第1期72-76,共5页
Journal of Yulin Normal University
