摘要
本文以海涅发表于1836年的短篇小说《佛罗伦萨之夜》中的第二部分、即"第二夜"为分析对象,从作品中伦敦与巴黎这两个城市的对比及其意蕴入手,试图揭示从他者形象的描绘、塑造到套话的形成、传播这一动力学流程,梳理互为参照的英、法、意、德四国文化谱系所展示的欧洲文化发展脉络,剖析异国形象对于德国文化自我建构的启示学意义。文章立足于城市对比在作品中的叙事作用,从伦敦舞蹈印象——巴黎身世讲述——巴黎午夜重舞这三步曲,来挖掘女主人公独舞的涵义,以及舞蹈在法国文化中的重要意义。
American Postmodernist Literature was first introduced to China as a literary school at the end of the 1970s,but failed to attract critical attention before it became an important focus of literary studies in the 1990s.This paper is intended to investigate China's critical responses to American postmodernist Literature in the past thirty years,discuss the major characteristics and main achievements of each decade and make an overall analysis on the problems and issues that have emerged in China's reception of literary postmodernism.
出处
《外国文学》
CSSCI
北大核心
2013年第1期108-117,159,共10页
Foreign Literature
